On Being Yukiko is a collaborative creation by notable Canadian Nikkei artists Lillian Michiko Blakey and Jeff Chiba Stearns. Crafted with the intent to resonate with the Yonsei and Gosei generations, the narrative is a gentle beckon for them to rekindle pride in their Japanese roots. The backdrop of the tale is set against the canvas of challenging social and political times, mirroring contemporary issues of identity that many grapple with. Through the lens of a young protagonist, the story aims to inspire a journey of self-discovery amid the complexities of a dual heritage, offering a bridge to traverse the delicate space between the past and the present, between the lands of maple leaves and cherry blossoms.
The book uses two different art styles: cartoons for the present and realistic drawings for the past. Why do the authors separate the story this way?
The slides mention the 'picture bride' marriage of Maki and Nitaro. How is this different from modern dating in Canada?